Beyond First Position
Everything you have played so far has been in first position — the first four frets. The guitar neck extends to the 12th, 15th, even 20th fret. Playing in higher positions gives you access to notes unavailable in first position, different tonal colours on the same pitches, and the ability to play melodies and solos anywhere on the neck.
Higher up the fretboard, the frets get closer together (the vibrating string is shorter) and the tone quality changes — becoming brighter and more focused. Many guitarists find certain melodies sound more beautiful played in the 5th or 7th position than in first position, even when the same notes are available in both places.
Understanding Positions
A position is defined by where the index finger sits. The four fingers cover four consecutive frets from that starting point:
Index = fret 1. Fingers cover frets 1-2-3-4. All the notes in this course so far have been here.
Index = fret 2. Fingers cover frets 2-3-4-5. Some notes overlap with 1st position, others are new.
Index = fret 5. Fingers cover frets 5-6-7-8. Used by lead guitarists constantly — the 5th position on string 1 matches open chord pitch areas.
Index = fret 9. Fingers cover frets 9-10-11-12. Produces a bright, piercing tone often used in solos.
The 12th Fret — The Octave Point
The most important reference point above first position is the 12th fret. At the 12th fret, every string sounds exactly one octave higher than the same open string. This means:
- String 6 (low E) at fret 12 = E, one octave above open
- String 5 (A) at fret 12 = A, one octave above open
- And so on for all six strings
From fret 12 onward, the entire note pattern repeats identically. Fret 13 has the same note name as fret 1, fret 14 = fret 2, fret 15 = fret 3. Once you know first position notes, you know frets 12–24 as well.
To find the note at any fret above 12: subtract 12 from the fret number and look up the first-position note at that fret number. Fret 17 on string 1 = same as fret 5 on string 1 = A (one octave higher).
Notes on the 6th and 5th Strings — Essential for Lead Guitar
Knowing the notes on the 6th and 5th strings up the entire neck is particularly important because these strings are used as the root notes for barre chords (covered in the next lesson). Here are the natural notes:
- String 6 (E): open=E, fret 2=F#, fret 3=G, fret 5=A, fret 7=B, fret 8=C, fret 10=D, fret 12=E
- String 5 (A): open=A, fret 2=B, fret 3=C, fret 5=D, fret 7=E, fret 8=F, fret 10=G, fret 12=A
Leger Lines Above the Stave
When notes go above the top line (F) of the stave, short extra lines called leger lines are added to accommodate them. In guitar music, these appear frequently when playing higher up the neck:
- First leger line above stave = B
- Space above first leger line = C
- Second leger line = D
- Space above second leger line = E
When you encounter an unfamiliar note above the stave in music you are reading, count up from the last known position (F on the top stave line) using the letter sequence: F-G-A-B-C-D-E-F...
How to Work Out Any Note on the Neck
For any string, count up from the open string note — one semitone (one letter or accidental) per fret. The complete sequence of semitones is:
E — F — F# — G — G# — A — A# — B — C — C# — D — D# — E (repeat)
Use this sequence starting from any open string note to find the name of any note at any fret. For example, string 3 open = G. Fret 1 = G#. Fret 2 = A. Fret 4 = B. Fret 5 = C. And so on.
The most immediately useful notes to memorise above first position are on the 6th and 5th strings — because these are used as root note references for barre chords in the next lesson. Start there before memorising the entire neck.
What's Next?
Lesson 32 teaches barre chords — the moveable chord shapes that use your index finger across all six strings, allowing you to play any chord in any key anywhere on the neck.